This is an example of the Mirrored Force Resonance Manufacture Edition White*, the first series from Armin Strom that brought the brand’s innovation to the concept of resonance to the world. The twin balance architecture, beating in opposition to one another, is linked by a resonance clutch spring. Inside the 43.4mm platinum case lies the manually wound Calibre ARF15 with twin skeletonised barrels and twin gear trains interacting with the two balances. The watch’s chronometry is certified by the Observatoire de Besançon.
Resonance
It was back in the mid 17th century when Christiaan Huygens, co-creator of the spiral balance spring and pioneer of pendulum clocks, first recorded the effect of resonance. This is when two oscillators, close by to each other and with the same frequency, start to beat in synchrony. He first noted it in pendulums - two pendulums in resonance soon end up swinging in precisely opposite directions, no matter how or at what amplitude they started out moving.




Resonance is not easy to see at the small scale demanded by wristwatches - not least because getting the oscillators at a very similar frequency is no mean feat, requiring daily adjustments - but it’s a natural phenomenon that Abraham-Louis Breguet later explored in similarly arranged balance springs too. If the rate of either oscillator drops off, the other, as if by magic, corrects it. Result: greater accuracy.
That, in fact, is crucial to the working of any mechanical watch, since there’s resonance between balance wheel and hairspring - but it’s sufficiently complex that Breguet didn’t pursue the idea for watches with any great conviction. Only a few makers, among them Armin Strom, Haldimann and F.P. Journe, have done so since.