Here is one of 12 examples of French watchmaker and educator Florent Lecomte’s Series 2. Channelling a decidedly 18th and 19th century French aesthetic and spirit inherited from the likes of Breguet, the Series 2 was the first to feature Lecomte’s proprietary balance. Part of the semi-openworked appearance, the balance is proudly presented on the dial side. In keeping with French tradition, the decoration showcases the watchmaker’s manual skills with anglage and black polishing. Notably absent are flourishes such as Côtes de Genève, typically achieved by machine tools. The 41mm stainless steel case is paired with a manually wound calibre, an extensively redesigned and reimagined iteration of the Unitas 6498.
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Florent Lecomte began his career as a teacher at the Lycee Edgar Faure in Morteau in 2006 – he had previously studied and taught industrial product design, and only discovered watchmaking after his transfer to the Morteau school. Following two years of training he specialised in teaching students about complicated mechanical watchmaking. Some of Lecomte's pupils have included Remy Cools, Théo Auffret and Cyril Brivet-Naudot, some of the brightest prospects for modern French independent watchmaking. Lecomte own independent career began in 2020, in the midst of the Covid-19 pandemic, and his work channels the style of French master Abraham-Louis Breguet. Since then, he has created three series of watches, all produced and finished by hand in exceedingly small numbers. This is in addition to a couple of unique examples, one of which we have had the pleasure of offering for sale.
While Lecomte’s focus remains on manual finishing, the Series 2 holds special significance as the first watch to feature his specially designed balance. It occupies pride of place on the dial side, anchored by a rounded bridge with a polygon base. The stepped architecture of the balance wheel in effect gives it twin rims, or a double serge as Lecomte refers to it. The watchmaker says, "The large, 14mm diameter, combined with the low frequency of 18,000 vibrations per hour give it an almost hypnotic appearance".
The tradition of partially exposing the calibre, and the overall industrial aesthetic so intrinsic to French watchmaking in the 18th and 19th centuries, is followed faithfully in the Series 2. In addition to the balance, the southern half of the dial side is occupied by the open-work subsidiary seconds register and the triangular bridge that anchors it. The balance wheel and the seconds register lie in a deeply recessed portion on the dial side, their layout consistent with the stepped architecture of the balance wheel.
The dial is marked by a brushed chapter with graduated, engraved minutes. This chapter is briefly interrupted by the balance wheel. The dial, wearing a silvered, frosted finish, features the oversized maker’s mark, hand-engraved in an italicised style. The exposed black-polished screws on the dial feature wide, mirror-polished countersinks. Also present on the dial is a plaque with the watch’s serial number of out 12. The edges on the dial’s double bubble cut out – to accommodate the balance and seconds register – are expertly finished. The mirrored anglage is executed evenly, be it on the arced or sharply angled surfaces. Lecomte chose to collaborate with a finishing expert to get this effect just right. He says, "Starting with the Series 2, I decided to collaborate with Philippe Narbel, one of the best watch decorators. Very quickly, a relationship of trust developed, and Philippe is now a friend".
The lower level of the dial also has the same frosted silvered finish while the seconds chapter replicates the form of the minutes register. The heat-blued feuille-style hands complete the picture. Overall, details have been used sparingly and consistently to create visual harmony and for the ultimate goal of easy time-reading.
The stainless steel case, 41mm across and 12mm tall, is mirror-polished on top, with the profiles featuring horizontal satination. So, the thin, rounded bezel is polished, as are the top portions of the lugs, that are marginally stepped away from the case. They stand 22mm apart. The midcase and the profile of the lugs is satinated while the rim of the exhibition caseback is again mirror polished. The crown is well sized and deeply fluted, decorated with a fine engraving of the watchmaker’s initials.
The manually wound calibre, based on the Unitas 6498, has been almost entirely reimagined and recreated. Measuring 37.2mm across, it features two main bridges, both adorned in the frosted finishing seen on the dial side. The shape of the bridges follows the form of the visible wheels of the gear train, forming a ravine-like opening that is wholly consistent with the dial side appearance. The ratchet and mainspring wheels are prominently visible, as is the click spring. The remaining gears of the train are crafted from brass. The jewels feature countersinks that have been hand-bevelled and polished while the edges of the bridges are decorated with anglage. Noticeably absent is any striping, a form of decoration that is both to inconsistent with the French school and Lecomte’s emphasis on hand-finishing.
Lecomte says, "I’m not a fan of the Côtes de Genève; I feel that this finish aesthetically overloads the bridges. I prefer to do sandblasting with a coarse grain and wide, polished bevelling of the edges as I appreciate the contrast between these finishes".
The bridges also bear the original owner's initials, hand-engraved with exaggerated italicised flourish, as well as the Morteau mark. The latter is a point of pride, with Lecomte having chosen to remain and make in his home country rather than seek the convenience of a better-established watchmaking ecosystem in neighbouring Switzerland.
The Series 2 comes with its full set, which includes a beautiful wooden watch box, international warranty paperwork and original bill of sale. Also included is a hand-written note by the watchmaker to the original owner of the watch.
In the rarefied space of independent watchmaking, Lecomte’s craft represents a rarity on several counts. The watchmaker remains committed to country and craft – his steadfastness in championing French watchmaking and traditional handcraft stands him as one of a mere handful. That such fine finishing is available for such value makes Lecomte’s offering singular. Says the watchmaker of the series, "Due to its complexity and high-end finishes, the Series 2 is the one that has confirmed my skills in the eyes of collectors. To date, it is one of my most accomplished creations".
If sold within the United Kingdom, this Florent Lecomte Series 2 will be subject to 20% VAT
Specifications
Closer look
Brand: | Florent Lecomte |
Model: | Series 2 |
Movement: | manual-winding |
Functions: | hours, minutes, sub-seconds |
Features: | limited edition of 12 pieces, display back, blued steel hands |
Case material: | stainless steel |
Case diameter: | 41mm |
Case thickness: | 12mm |
Lug-to-lug: | 48.5mm |
Crystal: | sapphire front & back |
Strap: | nubuck strap from our own collection, Camille Fournet grey small scale alligator strap, stainless steel pin buckle |
Lug width: | 22 x 18mm |
Year: | 2002 |
Accompanying materials: | Florent Lecomte wooden box, international warranty card, handwritten card from Florent Lecomte, anonymised copy of purchase invoice |
Condition
This Florent Lecomte Series 2 is in excellent overall condition. The case and lugs show light superficial marks consistent with minimal wear over time. The dial, hands, and movement are free from any signs of imperfections and have been well preserved.
Warranty
The watch comes with a two-year warranty from A Collected Man, alongside a lifetime guarantee of authenticity.
We stand by the quality of all of our pre-owned watches and mechanical objects. If something goes wrong, we’ll always strive to remedy the situation in a timely manner and to the best of our ability. The satisfaction and trust of our clients is of the highest importance, to everyone at A Collected Man.
All of our pre-owned watches have undergone thorough, non-invasive mechanical inspections and have been serviced, if appropriate, to ensure that they meet our highest standards of timekeeping and functionality.
Our pre-owned watches, unless stated otherwise, are covered by either a full or a limited twenty-four month warranty. This excludes any damage sustained due to improper use or accident. Due to their age, some pre-owned watches should not be subjected to the same conditions as when new.
Any of our pre-owned watches which have been serviced by their respective manufacturer, will carry the manufacturer’s servicing guarantee. This is separate and supersedes, the standard warranty offered by A Collected Man. Please see our Terms & Conditions for further information. You can write to us directly at enquiries@acollectdman.com, for further clarification.
A Collected Man is also an authorised retailer for a number of watchmaking brands. These watches are covered by the warranty from the original manufacturer.
We offer complimentary worldwide delivery on our watches. If ordering from overseas, delivery will depend on the value of the timepiece and the destination. All import taxes and duties are the responsibility of the buyer.
If ordering from the UK before 1 PM, your watch will be sent the same working day. The courier will depend on the value of the watch, with all watches delivered the next working day.
Please note that pre-owned goods (in the United Kingdom) are subject to a marginal rate of VAT, which can not be reclaimed. For further information, please see here.
VAT
The amount shown on our website does not include local tax rates. If this item is delivered to, or picked up from, a UK address, the standard rate of 20% VAT will be added at checkout. Otherwise, you will be responsible for paying local sales taxes and import fees.
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What is independent watchmaking?
Giving a straightforward definition of independent watchmaking is a near impossible task. In recent years, the question has become even harder to answer – ask any collector what they would define as “independent” and you’ll almost certainly get a wide range of answers, each drawing different parameters for the category, or defining it by completely different rules.




Notably, a condition for becoming a member of the Académie Horlogère des Créateurs Indépendants (AHCI) is that the watchmaker should “independently develop and produce their creations” but, once again, leaves the word “independent” up for debate. In the context of the AHCI’s creation, we can perhaps comfortably assume that they mean watchmakers who are independent of big brands or larger conglomerates. But since then, the world of independents has only grown and, with it, the many different interpretations of watchmaking that each artisan brings to the table.
At its very core, the term “independent” is defined as “not [being] influenced or controlled in any way by other people, events, or things”. Within watchmaking, this does not only have financial implications, but can also have creative, technological, or literal ones, especially regarding the watchmakers themselves.